Contact me about your next project!
I enjoy giving recordings a heightened sense of drama and reality, and I will work with you tirelessly to deliver amazing results.
No matter the genre, what comes out of the listener's speakers should give them goosebumps.
Discounted and Student rates available.
- Methab Kirtan: The Fool's Journey
- Here & Now: Presence
- Haiku (Single) (mix/master)
- Elemental Suite (mix/master)
- Seafire (Single): (production/recording/mix)
- Freedom Jazz Trio: After Dinner Music: (recording/mix/master)
- Freedom Jazz Trio: Live-nuss Vol 1 (recording/mix)
- John Corkill Solo Percussion Concert
- Jazz Workshop: Presents Mingus (Live)
- Bumblebee RM-5 Ribbon Mics
- Beesneez Oliver FET 47
- Beesneez James Tube 47
- Vintage DI Box
- Vintage RCA and UTC Pass thru Transformers
- Acustica Audio
- DMG Audio
- Fuse Audio Labs
- London Acoustics
"For me, distortion… I really find distortion interesting, and I’m still exploring it, it’s a really cool thing about humans, and I don’t know what the physics of it are, but distortion does something to us. And it would have been, before having sound systems, it would have been distortion means things are too loud. Whether it was a volcano going off and cracking the air, or whatever can be so loud that it would distort your eardrum, distort the air, it would be a danger signal right? And when we hear distortion you get an adrenalin thing, you mind says Ah! Danger!
So I really like using that idea, but just in little ways, so you can have something clean and a beautiful sounding scape and then just have one thing in there be that little, 'Danger!' Here’s this little bit of distortion, and you might not even hear it or notice it, you don’t have to be hit over the head with it. I know sometimes I do hit you over the head with this distortion but not always. So really I like to think about that idea about what the distortion does, not just that you’re adding distortion on everything but why are you adding it here, why is it going here, what are you trying to achieve with it." - Tchad Blake